| ROLES |
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| Bizet |
Carmen |
Carmen |
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| Britten |
Albert Herring |
Nancy |
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| Charpentier |
Actéon |
Hyale |
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| John Estacio |
Filumena (John Murrell) |
Maria Picariello |
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| Gilbert & Sullivan |
Iolanthe |
Iolanthe |
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| P. Hannan |
The Diana Cantata
(P. Hinton) |
Diana (premiere) |
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| Hindemith |
There and Back |
Angel/Sage |
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| Humperdinck |
Hansel & Gretel |
Hansel |
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| Lully |
Persée |
Nymphe guerrière; Vénus |
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| Mozart |
The Marriage of Figaro |
Cherubino |
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The Magic Flute |
3rd Lady |
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| Purcell |
Dido and Aeneas |
Mercury/2nd Witch |
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| Ruders |
The Handmaid’s Tale |
Serena Joy |
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| Tchaikovsky |
Eugene Onegin |
Olga |
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| Weill |
The Threepenny Opera |
Lucy Brown |
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EXCERPTS
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| Barber |
Vanessa |
Erika: |
“Must the winter come so soon?” |
| Berlioz |
Béatrice et Bénédict |
Ursule: |
No. 11 Trio |
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| Bloch |
Macbeth |
2nd Witch: |
various excerpts |
| Britten |
The Rape of Lucretia |
Lucretia: |
“Give him this orchid” (Recit. & aria) |
| Délibes |
Lakmé |
Mallika: |
“Sous le dôme épais” (Duet) |
| Donizetti |
La Fille du Régiment |
Marquise: |
“Pour une femme de mon nom” (Arietta) |
| Dvořák |
Rusalka |
3rd Naiad: |
Act I |
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| German |
Merrie England |
Jill-All-Alone: |
Act I Finale |
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| Gilbert & Sullivan |
The Mikado |
Pitti-Sing: |
Act II, Nos. 12, 14 |
| Gluck |
Orfeo ed Euridice |
Orfeo: |
Nos. 1, 2, 5, 7, 12, 13, 19, 22, 23, 24, 27 |
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“Che faró senza Euridice?” (Recit. & Aria) |
| Gounod |
Roméo et Juliette |
Stéphano: |
“Que fais-tu blanche touterelle?” (Recit. & Aria) |
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Faust |
Siebel: |
Act III, Sc. 1 |
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| Handel |
Giulio Cesare |
Cesare: |
“Quel torrente” |
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Rinaldo |
Rinaldo: |
“Cara sposa, amante cara” |
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Serse |
Serse: |
“Ombra mai fu” (Recit. & Aria) |
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Tamerlano |
Irene: |
“Par che mi nasca in seno” |
| Léhar |
The Merry Widow |
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“The girls at Maxim’s” duet |
| Massenet |
Werther |
Charlotte: |
Act III: “Werther, Werther” (Letter scene) |
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“Va! Laisse couler mes larmes” |
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Cendrillon |
Cendrillon: |
Act III, Sc. 1 |
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| Menotti |
The Consul |
Mother: |
“I shall find for you” (Lullaby) |
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The Old Maid & the Thief |
Miss Todd: |
Scene 1 |
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| Mercadante |
Il Giuramento |
Bianca: |
“Dolce conforto al misero” (Duet) |
| Monteverdi |
L’incoronazione di Poppea |
Nerone: |
“Pur ti miro” (Duet) |
| Mozart |
Cosi fan tutte |
Dorabella: |
Act I |
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No. 18 Finale |
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No. 23 Duet |
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No. 31 Finale – Quartet |
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Don Giovanni |
Elvira: |
“Ah, chi mi dice mai” |
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“Ah fuggi il traditor” |
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Zerlina: |
“Batti, batti” |
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“Vedrai carino” |
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La Clemenza di Tito |
Annio: |
No. 7 Recit. & Duet: |
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“Ah, perdona al primo affetto” |
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Sesto: |
“Parto, parto” |
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No. 11 Recit., No. 12 Finale |
| Offenbach |
Les Contes d’Hoffmann |
Nicklausse: |
“Belle nuit, ô nuit d’amour” (Barcarolle) |
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La Périchole |
Périchole: |
Nos. 14, 15: “Tu n’es pas beau” |
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La Grande Duchesse |
Duchesse: |
“Ah! Que j’aime les militaires!” |
| Pollus |
The Village Singer |
Nancy: |
Scenes 1 & 2 |
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| Ponchielli |
La Gioconda |
La Cieca: |
“Voce di donna” |
| Purcell |
Dido and Aeneas |
Dido: |
“Ah, ah! Belinda, I am prest” |
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“Thy hand Belinda...When I am laid” |
| Rossini |
Il Barbiere di Siviglia |
Rosina: |
"Una voce poco fa" |
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No. 18 Recit. & Trio |
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La Cenerentola |
Cenerentola: |
Act IV Recit. & Sextet |
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Tisbe: |
Act I Introduction to end of Quintet |
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L’Italiana in Algeri |
Isabella: |
Nos. 4 & 5 Cavatina & Duet |
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Zulma: |
No. 7 First Finale |
| Saint-Saëns |
Samson et Dalila |
Dalila: |
“Printemps qui commence” |
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“Mon coeur s’ouvre à ta voix” |
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“Amour, viens aider ma faiblesse” |
| Johann Strauss |
Die Fledermaus |
Orlofsky: |
“Chacun à son goût” |
| Richard Strauss |
Ariadne auf Naxos |
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Composer’s aria |
| Tchaikovsky |
Pique Dame |
Pauline: |
Pauline’s aria |
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| Thomas |
Mignon |
Mignon: |
“Connais-tu le pays” |
